{"version":"1.0","provider_name":"Asia-Europe Cultural Festival","provider_url":"https:\/\/asef.org\/aecfest","author_name":"ASEF Culture","author_url":"https:\/\/asef.org\/aecfest\/author\/asefculture2024\/","title":"AECFest 2024 | INTERVIEW WITH THE ASIAN FILM ARCHIVE - Asia-Europe Cultural Festival","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iQmv8Y7MU5\"><a href=\"https:\/\/asef.org\/aecfest\/aecfest-2024-interview-with-the-asian-film-archive\/\">AECFest 2024 | INTERVIEW WITH THE ASIAN FILM ARCHIVE<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asef.org\/aecfest\/aecfest-2024-interview-with-the-asian-film-archive\/embed\/#?secret=iQmv8Y7MU5\" width=\"600\" height=\"338\" title=\"&#8220;AECFest 2024 | INTERVIEW WITH THE ASIAN FILM ARCHIVE&#8221; &#8212; Asia-Europe Cultural Festival\" data-secret=\"iQmv8Y7MU5\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asef.org\/aecfest\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/04\/PCL.webp","thumbnail_width":1920,"thumbnail_height":1278,"description":"WE SPEAK WITH KAREN CHAN, EXECUTIVE DIRECTOR OF THE ASIAN FILM ARCHIVE, TO SHARE ABOUT THE ARCHIVE&#8217;S JOURNEY, THE SIGNIFICANCE OF FILM RESTORATION AND PRESERVATION AND ABOUT PYO CHIT LIN (MY DARLING). 1. Tell us about the Asian Film Archive (AFA) and its journey since 2005. How do you see the role of the Archive [&hellip;]"}