{"id":12191,"date":"2025-07-13T15:00:43","date_gmt":"2025-07-13T07:00:43","guid":{"rendered":"https:\/\/asef.org\/aecfest\/?p=12191"},"modified":"2026-03-15T16:36:01","modified_gmt":"2026-03-15T08:36:01","slug":"the-foe-of-an-arrow-wound","status":"publish","type":"post","link":"https:\/\/asef.org\/aecfest\/the-foe-of-an-arrow-wound\/","title":{"rendered":"THE FOE OF AN ARROW WOUND"},"content":{"rendered":"\t\t
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\n\n \n 13 SEPTEMBER 2PM & 7:30PM
14 SEPTEMBER 2PM
THE ARTS THEATRE - SDAC, SHANGHAI<\/span>\n\n <\/div>\n\t <\/a>\n <\/div>\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\n \n CHINA, GERMANY |
THEATRE<\/span>\n\n <\/div>\n\t <\/a>\n <\/div>\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2025
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The Foe of an Arrow Wound <\/em>is a research theatre piece that enters from a pictorial perspective. It begins with an 18th-century painting, \u2018The Hacking of the Mask\u2019, from the collection of the Museum f\u00fc<\/span>r Asiatische Kunst, Staatliche Museen zu Berlin (East Asian Museum, Staatliche Kunst Museum, Berlin). <\/span>The painting, by the Italian painter Lang Shining, was commissioned by the Qing Emperor Qianlong and is part of a series of paintings of the war to pacify Junggar. It is a combination of Western realistic modelling and traditional Chinese \u2018literati painting\u2019 aesthetics. The painting was originally housed in the Ziguangge of the Forbidden City in Beijing, but when the Eight-Power Allied Forces occupied Beijing in 1900, the painting went to Germany, where it is now stored in Berlin, exhibited from time to time in the Humboldt Forum (the former Prussian Royal Palace).<\/span>\u00a0<\/span><\/p>

The story of the painting gudies us to the art historians, Lang Shining, Qianlong and the former head of catering at the court. It leads to more historical facts and images of East-West interactions in modern history. It brings out the different spatial narratives of the palace, the black market and the museum.The painting is a ghostly arrow that travels through history to the present day.<\/span>\u00a0<\/span><\/p>

The ghostly arrow is also a probe and a fuse to penetrate, reflect, and criticise colonial evils and the pain of history.<\/span>\u00a0<\/span><\/p>

Get your tickets for The Foe of An Arrow Wound <\/em>at the Asia-Europe Cultural Festival 2025 here<\/strong><\/span><\/a> (EN) or by scanning the<\/strong> QR code below<\/strong> with your WeChat <\/strong>app (CN):<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Discover the full AECFest programme<\/a><\/span>.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\tCredits: Frank Sperling\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tCredit: Robert Poticha\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tCredit: Robert Poticha\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tCredit: Robert Poticha\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tThe Foe of An Arrow Wound \u00a9 \u00a0Humboldt Forum, Berlin \/ ph F\u00f9 B\u011bn\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tThe Foe of An Arrow Wound \u00a9 \u00a0Humboldt Forum, Berlin \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tThe Foe of An Arrow Wound \u00a9 \u00a0Humboldt Forum, Berlin \/ ph F\u00f9 B\u011bn\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tThe Foe of An Arrow Wound \u00a9 \u00a0Humboldt Forum, Berlin \/ ph F\u00f9 B\u011bn\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tThe Foe of An Arrow Wound \u00a9 \u00a0Humboldt Forum, Berlin \/ ph F\u00f9 B\u011bn\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\"Credits:\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tCredits: F\u00f9 B\u011bn\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\"Credits:\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tCredits: F\u00f9 B\u011bn\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Director:\u00a0<\/span>Tian Gebing<\/span>\u00a0<\/span><\/p>

Performance: <\/strong>Raul Aranha, <\/span>Simon Chatelain, <\/span>Sara<\/span> Ezzel, <\/span>Fu Yifei(percussion), <\/span>Gong Zhonghui, <\/span>Thomas Halle, <\/span>Hans-J<\/span>\u00fc<\/span>rgen Schreiber, <\/span>Su Shiding(DJ), <\/span>Wang Yanan, <\/span>Xu Y<\/span>iming<\/span>\u00a0<\/span><\/p>

Choreographer:<\/strong> Wang Yanan<\/span>\u00a0<\/span><\/p>

Stage Design: <\/strong>Eva Veronica Born<\/span>\u00a0<\/span><\/p>

Dramaturg: <\/strong>Christoph Lepschy<\/span>, <\/span>Jan Linders<\/span>\u00a0<\/span><\/p>

Music:<\/strong> Suzuki Mieko<\/span>\u00a0<\/span><\/p>

Costume Concept:<\/strong> Chen Shuyu, Wang Yanan<\/span>\u00a0<\/span><\/p>

Video Designer: <\/strong>Andreas K<\/span>\u00f6<\/span>nig<\/span>, <\/span>Julia Kuhnert<\/span>\u00a0<\/span><\/p>

Stage lighting: <\/strong>Bastian Vogel<\/span>\u00a0<\/span><\/p>

Assistant Director\/stage manager<\/strong>:<\/strong> <\/span>Li Jingwen<\/span>\u00a0<\/span><\/p>

Stage\/Costume Assistant<\/strong>:<\/strong> <\/span>Feng Wanqi<\/span>\u00a0<\/span><\/p>

Video Team from shooting Videoaufnahmen: <\/strong>Tong Xin, <\/span>Jiang Dingding<\/span>\u00a0<\/span><\/p>

Chief Carpenter:<\/strong> <\/span>Amos-Peter Mayer<\/span>\u00a0<\/span><\/p>

Producer<\/strong>:<\/strong> <\/span>Sebastian Schlootz<\/span>\u00a0<\/span><\/p>

Head Aniella Management: <\/strong>Mary Aniella Petersen<\/span>\u00a0<\/span><\/p>

With t<\/strong>hanks:<\/strong> <\/span>Fonds Darstellende<\/span>, <\/span>Shenzhen Ming Culture Communication <\/span>C<\/span>o.Ltd<\/span>\u00a0<\/span><\/p>

Performer: <\/strong>Paper Tiger Theater Studio<\/span>\u00a0<\/span><\/p>

\u00a0<\/span>A Production of the Humboldt Forum Foundation at the Berlin Palace<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\tFounded in 1997, Paper Tiger Theater Studio has become one of the most internationally influential Chinese performance groups in the past 15 years. In 2019, the studio relocated to Berlin and introduced the concept of the \"Theater Between Worlds\", focusing on contemporary global issues through theatrical lens.\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tEstablished in 2021, the Humboldt Forum is a new federal cultural project in the center of Berlin, the German capital. It is a museum and place for the arts in the middle of Berlin that attracts more than 3 million visitors per year. The Forum presents a varied programme focused on the collections and the encounters between people and cultures. The collaboration with Paper Tiger Theater Studio is one of the first full-fledged multidisciplinary productions and has run successfully for three seasons.\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Partners<\/h2>\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

13 SEPTEMBER 2PM & 7:30PM 14 SEPTEMBER 2PM THE ARTS THEATRE – SDAC, SHANGHAI CHINA, GERMANY | THEATRE 2025 EDITION The Foe of an Arrow Wound is a research theatre piece that enters from a pictorial perspective. 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