{"id":13391,"date":"2025-08-28T12:00:53","date_gmt":"2025-08-28T04:00:53","guid":{"rendered":"https:\/\/asef.org\/aecfest\/?p=13391"},"modified":"2026-03-18T13:02:44","modified_gmt":"2026-03-18T05:02:44","slug":"between-lands-migration-as-transformation","status":"publish","type":"post","link":"https:\/\/asef.org\/aecfest\/between-lands-migration-as-transformation\/","title":{"rendered":"BETWEEN LANDS: MIGRATION AS TRANSFORMATION"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13391\" class=\"elementor elementor-13391\">\n\t\t\t\t<div class=\"elementor-element elementor-element-87bb9cc e-con-full e-flex e-con e-parent\" data-id=\"87bb9cc\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;gradient&quot;}\">\n\t\t<div class=\"elementor-element elementor-element-26b2b7b e-con-full e-flex e-con e-child\" data-id=\"26b2b7b\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c23a34c singlepostinfo1 elementor-widget elementor-widget-eael-creative-button\" data-id=\"c23a34c\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"singlepostinfo1\" data-widget_type=\"eael-creative-button.default\">\n\t\t\t\t\t        <div class=\"eael-creative-button-wrapper\">\n\n            <a class=\"eael-creative-button eael-creative-button--default eael-cb-icon-position-\" href=\"#\" data-text=\"\">\n            \t    \n                <div class=\"creative-button-inner\">\n\n                    \n                    <span class=\"cretive-button-text\">4 - 12 OCTOBER <br> SATURDAY-SUNDAY: 11:00AM \u2013 7:00PM <br> MONDAY-FRIDAY 4:00PM \u2013 8:00PM <BR> 136 GOETHE LAB - GOETHE-INSTITUT SINGAPORE<\/span>\n\n                                    <\/div>\n\t                        <\/a>\n        <\/div>\n        \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9d83e4f e-con-full e-flex e-con e-child\" data-id=\"9d83e4f\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-68dcea6 singlepostinfo2 elementor-widget elementor-widget-eael-creative-button\" data-id=\"68dcea6\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"singlepostinfo2\" data-widget_type=\"eael-creative-button.default\">\n\t\t\t\t\t        <div class=\"eael-creative-button-wrapper\">\n\n            <a class=\"eael-creative-button eael-creative-button--default eael-cb-icon-position-\" href=\"#\" data-text=\"\">\n            \t    \n                <div class=\"creative-button-inner\">\n\n                    \n                    <span class=\"cretive-button-text\">MYANMAR, SINGAPORE, THAILAND, VIET NAM | <br>MULTIDISCIPLINARY<\/span>\n\n                                    <\/div>\n\t                        <\/a>\n        <\/div>\n        \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8c35fac e-flex e-con-boxed e-con e-parent\" data-id=\"8c35fac\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-07b8801 e-con-full e-flex e-con e-child\" data-id=\"07b8801\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-076ed51 elementor-widget elementor-widget-heading\" data-id=\"076ed51\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">2025<br>\nEDITION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-39aa247 e-con-full elementor-hidden-tablet elementor-hidden-mobile e-flex e-con e-child\" data-id=\"39aa247\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-36f2f47e e-flex e-con-boxed e-con e-parent\" data-id=\"36f2f47e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-70e04f17 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"70e04f17\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"singlepost-body\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">In our era of global displacement, this exhibition \u2013 <\/span><b>co-presented by The Substation and Asia-Europe Foundation (ASEF)<\/b><span style=\"font-weight: 400;\"> \u2013 brings together seven distinctive voices from Southeast Asia to explore the lived collective realities and personal landscapes that emerge through experiences of migration. Through <strong>storytelling, audience activation and a call to critical awareness,<\/strong> each artist engages viewers to interrogate facets of the experiences of diaspora or cultural displacement, shaped by geopolitical turmoil and climate disruption.<\/span><\/p><ul><li style=\"font-weight: 400;\" aria-level=\"1\"><b>Bui Cong Khanh<\/b><span style=\"font-weight: 400;\"> presents recent work on the assimilation of Vietnamese labourers displaced to France during the colonial era.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><b>Justin Loke<\/b><span style=\"font-weight: 400;\"> creates produces new work about notions of human physiognomic classification, a pseudo-scientific method of othering, weaving stories around European diasporas in Asia.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jakkai Siributr<\/b><span style=\"font-weight: 400;\"> explores traumatic memory and statelessness through audience-engaging needlework.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><b>Jason Lim<\/b><span style=\"font-weight: 400;\"> interrogates East\/West ideological differences through transnational performance.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The three Myanmar artists <\/span><b>Yadanar Win, Nge Lay, and Aung Ko\u00a0<\/b><span style=\"font-weight: 400;\">explore<\/span><span style=\"font-weight: 400;\"> the experiences of migrant workers internationally.<\/span><\/li><\/ul><p><span style=\"font-weight: 400;\">They collectively testify that <strong>migration is more than an individual plight, but rather a fundamental collective phenomenon<\/strong> that emerges from feelings of alienation and loss while drawing on our innate capacity for<strong> adaptation, home building, and connection<\/strong> across differences.<\/span><\/p><p><b><i>Between Lands: Migration as Transformation<\/i><\/b><span style=\"font-weight: 400;\">\u00a0gives rise to new hybrid identities from which emerge new artistic languages and shared narratives that are respectful of diversity. Can these artistic practices help us think through prevailing feelings of uprootedness, dissolution of cultural bonds, loss of a shared world? <strong>In an era of global mobility and amid unprecedented interconnection, can these artists\u2019 perspectives elicit our more thoughtful and compassionate action?<\/strong><\/span><\/p><p><span style=\"font-weight: 400;\">All seven artists are alumni of the artist-in-residence programme of <\/span><b>Fondation la Roche Jacquelin of Southeast Asian Contemporary Art <\/b><span style=\"font-weight: 400;\">in France, which is The Substation\u2019s residency partner for <\/span><b><i>Sub+ Residencies<\/i><\/b><b> 2024\/2025<\/b><span style=\"font-weight: 400;\">.<\/span><\/p><h3 data-start=\"73\" data-end=\"99\">Vernissage Programme<\/h3><p data-start=\"100\" data-end=\"130\"><strong data-start=\"100\" data-end=\"128\">Saturday, 4 October 2025<\/strong><\/p><ul data-start=\"132\" data-end=\"521\"><li data-start=\"132\" data-end=\"170\"><p data-start=\"134\" data-end=\"170\"><strong data-start=\"134\" data-end=\"145\">5:30 pm<\/strong> \u2014 <em data-start=\"148\" data-end=\"168\">Exhibition Preview<\/em><\/p><\/li><li data-start=\"171\" data-end=\"206\"><p data-start=\"173\" data-end=\"206\"><strong data-start=\"173\" data-end=\"184\">6:00 pm<\/strong> \u2014 <em data-start=\"187\" data-end=\"204\">Welcome Remarks<\/em><\/p><\/li><li data-start=\"207\" data-end=\"334\"><p data-start=\"209\" data-end=\"247\"><strong data-start=\"209\" data-end=\"220\">6:15 pm<\/strong> \u2014 <em data-start=\"223\" data-end=\"245\">Opening Performances <\/em>by\u00a0<span style=\"font-size: 16px;\">Jason Lim (Singapore), <\/span>Nge Lay (Myanmar), Bui Cong Khanh (Viet Nam)<\/p><\/li><li data-start=\"335\" data-end=\"379\"><p data-start=\"337\" data-end=\"379\"><strong data-start=\"337\" data-end=\"348\">7:00 pm<\/strong> \u2014 <em data-start=\"351\" data-end=\"377\">Cocktail Reception Opens<\/em><\/p><\/li><li data-start=\"380\" data-end=\"521\"><p data-start=\"382\" data-end=\"521\"><strong data-start=\"382\" data-end=\"393\">7:15 pm<\/strong> \u2014 <a href=\"https:\/\/asef.org\/aecfest\/2025\/13409\/in-transit-panel-discussion\"><em data-start=\"396\" data-end=\"414\">Panel Discussion<\/em><\/a><br data-start=\"414\" data-end=\"417\" \/><em data-start=\"420\" data-end=\"450\">In Transit: Dialogue Session<\/em><br data-start=\"450\" data-end=\"453\" \/>Moderated by <strong data-start=\"469\" data-end=\"495\">Mrs Valentina Riccardi<\/strong>, Director, ASEF Culture<\/p><\/li><\/ul><p>Attendance for the vernissage and exhibition are free by donation. Register <span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.eventbrite.sg\/e\/between-lands-migration-as-transformation-vernissage-tickets-1649587303029\"><b>here<\/b><\/a><\/span>\u00a0to secure your spot.\u00a0<\/p><p><strong>Discover the full <span style=\"text-decoration: underline;\"><a href=\"https:\/\/asef.org\/aecfest\/2025edition\/\">AECFest programme<\/a><\/span>.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-dfaa20a e-flex e-con-boxed e-con e-parent\" data-id=\"dfaa20a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-34fc73e e-con-full e-flex e-con e-parent\" data-id=\"34fc73e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b2713d5 elementor-widget elementor-widget-video\" data-id=\"b2713d5\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t\t\t\t<div class=\"e-hosted-video elementor-wrapper elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"https:\/\/videos.files.wordpress.com\/bqGUoxjm\/aung-ko-souvenrus-short-clip.mov\" controls=\"\" preload=\"metadata\" controlsList=\"nodownload\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-222d9df e-flex e-con-boxed e-con e-parent\" data-id=\"222d9df\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-dd079bc elementor-widget elementor-widget-text-editor\" data-id=\"dd079bc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>Featured Artists<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-19d56c2 e-flex e-con-boxed e-con e-parent\" data-id=\"19d56c2\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-91b30a7 elementor-widget elementor-widget-text-editor\" data-id=\"91b30a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Aung Ko [Myanmar]<\/span><\/p><p><span style=\"font-weight: 400;\">B\u00f9i C\u00f4ng Kh\u00e1nh [Viet Nam]<\/span><\/p><p><span style=\"font-weight: 400;\">Jakkai Siributr [Thailand]<\/span><\/p><p><span style=\"font-weight: 400;\">Jason Lim [Singapore]<\/span><\/p><p><span style=\"font-weight: 400;\">Justin Loke [Singapore]<\/span><\/p><p><span style=\"font-weight: 400;\">Nge Lay [Myanmar]<\/span><\/p><p><span style=\"font-weight: 400;\">Yadanar Win [Myanmar]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d864b8e e-flex e-con-boxed e-con e-parent\" data-id=\"d864b8e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b93306d elementor-widget elementor-widget-text-editor\" data-id=\"b93306d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>Youth Curators<\/strong><\/p><p><span style=\"font-weight: 400;\">Goh Cheng Hao [Singapore], <\/span><span style=\"font-weight: 400;\">Foo Wee San [Singapore], <\/span><span style=\"font-weight: 400;\">Phyllis Chan [Singapore]<\/span><\/p><p><strong>Curatorial Advisor<\/strong><\/p><p>Iola Lenzi\u00a0<\/p><p><span style=\"font-weight: 400;\">The project is part of <\/span><b><i>Gathering Ground 2025<\/i><\/b><span style=\"font-weight: 400;\"> organised by The Substation, and <\/span><b><i>Asia-Europe Cultural Festival 2025 \u2013 Closing Curtain<\/i><\/b><span style=\"font-weight: 400;\"> organised by the Asia-Europe Foundation (ASEF), with the financial support of the People\u2019s Republic of China and venue partnership with<\/span><span style=\"font-weight: 400;\"> Goethe-Institut Singapore.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-437748e e-con-full e-flex e-con e-parent\" data-id=\"437748e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b35b654 elementor-widget__width-inherit elementor-widget elementor-widget-heading\" data-id=\"b35b654\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">FEATURED ARTISTS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7039a38 e-con-full e-flex e-con e-parent\" data-id=\"7039a38\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ba9de9e elementor-widget__width-inherit elementor-widget elementor-widget-oew-image-gallery\" data-id=\"ba9de9e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"oew-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\n\t\t<div class=\"oew-image-gallery oew-masonry oew-has-lightbox\" data-columns=\"\" data-desktop-columns=\"3\" data-tablet-columns=\"\" data-mobile-columns=\"\">\n\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-10.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-10-1024x1024.png\" alt=\"Born in 1980, Aung Ko studied Fine Art Painting at the University of Culture, Yangon. He began his career as a painter but later embraced sculpture, installation art and video. Together with his life partner Nge Lay, Aung Ko founded the Thuye\u2019dan Village Art Project in his native village in northern Myanmar. Aung Ko left Myanmar in February 2021. He has obtained refugee status and lives and works in Paris, France. Aung Ko has participated in Biennales, group shows and residencies worldwide.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tBorn in 1980, Aung Ko studied Fine Art Painting at the University of Culture, Yangon. He began his career as a painter but later embraced sculpture, installation art and video. Together with his life partner Nge Lay, Aung Ko founded the Thuye\u2019dan Village Art Project in his native village in northern Myanmar. Aung Ko left Myanmar in February 2021. He has obtained refugee status and lives and works in Paris, France. Aung Ko has participated in Biennales, group shows and residencies worldwide. \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-9.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-9-1024x1024.png\" alt=\"Born in 1972, Da Nang, Viet Nam, B\u00f9i C\u00f4ng Kh\u00e1nh is a multimedia and multidisciplinary artist who works across painting, performance, video, photography, and installation, taking an interest in vernacular materials such as ceramics, textiles, and indigenous Vietnamese woods and their carved ornamentation. B\u00f9i C\u00f4ng Kh\u00e1nh\u2019s pieces explore paradoxes and frictions of culture, identity, history, politics, and society in the Vietnamese context as well as beyond. His practice melds a research approach to social and historical realities, a commitment to form and aesthetics, and the belief that art can play a part in the spread of social justice at home and overseas.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tBorn in 1972, Da Nang, Viet Nam, B\u00f9i C\u00f4ng Kh\u00e1nh is a multimedia and multidisciplinary artist who works across painting, performance, video, photography, and installation, taking an interest in vernacular materials such as ceramics, textiles, and indigenous Vietnamese woods and their carved ornamentation. B\u00f9i C\u00f4ng Kh\u00e1nh\u2019s pieces explore paradoxes and frictions of culture, identity, history, politics, and society in the Vietnamese context as well as beyond. His practice melds a research approach to social and historical realities, a commitment to form and aesthetics, and the belief that art can play a part in the spread of social justice at home and overseas. \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-8.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-8-1024x1024.png\" alt=\"Born in 1969 in Bangkok, Jakkai Siributr works across media, with a special focus on textile and sewing, adopted for their tactile and interactive features. His intricately sewn and embroidered tapestries and installations convey powerful responses to contemporary and historical societal issues in Thailand and beyond, revolving around migration and personal stories of grief and remembrance. Siributr\u2019s immersive practice highlights overlooked and neglected histories of groups that have been largely ignored, in recent years addressing the experiences of ethnic minorities who are displaced refugees.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tBorn in 1969 in Bangkok, Jakkai Siributr works across media, with a special focus on textile and sewing, adopted for their tactile and interactive features. His intricately sewn and embroidered tapestries and installations convey powerful responses to contemporary and historical societal issues in Thailand and beyond, revolving around migration and personal stories of grief and remembrance. Siributr\u2019s immersive practice highlights overlooked and neglected histories of groups that have been largely ignored, in recent years addressing the experiences of ethnic minorities who are displaced refugees. \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-7.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-7-1024x1024.png\" alt=\"Born in 1966 in Singapore, Jason Lim is a ceramist and performance artist. Fascinated with the language of clay, he often uses the medium beyond its traditional applications, favouring a minimalist sensibility and the involvement of the viewer. Lim\u2019s artworks focus on the interaction between body, matter and spirit. Jason Lim studied at Central Saint Martins, London, and acquired his MFA from the Royal Melbourne Institute of Technology. Lim has performed in over 20 countries including Germany, Switzerland, Japan, Poland, Singapore, Thailand and Indonesia.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tBorn in 1966 in Singapore, Jason Lim is a ceramist and performance artist. Fascinated with the language of clay, he often uses the medium beyond its traditional applications, favouring a minimalist sensibility and the involvement of the viewer. Lim\u2019s artworks focus on the interaction between body, matter and spirit. Jason Lim studied at Central Saint Martins, London, and acquired his MFA from the Royal Melbourne Institute of Technology. Lim has performed in over 20 countries including Germany, Switzerland, Japan, Poland, Singapore, Thailand and Indonesia.  \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-6.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-6-1024x1024.png\" alt=\"Justin Loke is an interdisciplinary artist who, through language, image and storytelling, examines various kinds of social and historic paradoxes, and dysfunctions. Cultural translation and the diasporic condition, in Singapore, Asia, and globally are predilections, threaded into his installation, painting, and theatre. He is the director of Singapore collective Vertical Submarine. His works have been exhibited internationally at major institutions, museums, and biennales including National Gallery Singapore, Singapore Art Museum, Saatchi Gallery (London), and Arter (Istanbul). Currently, Loke is directing Tran-Slates: Cultural Heritage Craft x Contemporary Design for the National Heritage Board (Singapore).\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tJustin Loke is an interdisciplinary artist who, through language, image and storytelling, examines various kinds of social and historic paradoxes, and dysfunctions. Cultural translation and the diasporic condition, in Singapore, Asia, and globally are predilections, threaded into his installation, painting, and theatre. He is the director of Singapore collective Vertical Submarine. His works have been exhibited internationally at major institutions, museums, and biennales including National Gallery Singapore, Singapore Art Museum, Saatchi Gallery (London), and Arter (Istanbul). Currently, Loke is directing Tran-Slates: Cultural Heritage Craft x Contemporary Design for the National Heritage Board (Singapore). \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-5.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-5-1024x1024.png\" alt=\"Born in 1979, Nge Lay has a Bachelor Degree in economics and in fine arts from Yangon University of Culture. Nge Lay\u2019s work is centred on gender issues and freedom in her country. Nge Lay left Myanmar in February 2021 and, having received refugee status from France, now lives, studies and works in Paris. She has taken part in Biennale\u2019s across the region, including the Singapore Biennale 2013 and the 8th Asia Pacific Triennial of Contemporary Art (APT8) QAGOMA, Brisbane (2016); In 2020, Nge Lay was shortlisted for the Sovereign Asian Art Prize 2020. Nge Lay\u2019s work is in the collections of major public institutions.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tBorn in 1979, Nge Lay has a Bachelor Degree in economics and in fine arts from Yangon University of Culture. Nge Lay\u2019s work is centred on gender issues and freedom in her country. Nge Lay left Myanmar in February 2021 and, having received refugee status from France, now lives, studies and works in Paris. She has taken part in Biennale\u2019s across the region, including the Singapore Biennale 2013 and the 8th Asia Pacific Triennial of Contemporary Art (APT8) QAGOMA, Brisbane (2016); In 2020, Nge Lay was shortlisted for the Sovereign Asian Art Prize 2020. Nge Lay\u2019s work is in the collections of major public institutions.\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-4.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-4-1024x1024.png\" alt=\"Born in 1987 in Yangon, Myanmar, Yadanar Win is a multidisciplinary artist. Interested in international exchanges from an early age, she earned her bachelor\u2019s degree in English, later joining Aye Ko\u2019s New Zero artistic space, Yangon, in 2009. She is an artist, as well as a cultural project coordinator. Detaching herself from traditional practices, she uses her body as a means of experimentation. Her performances promote peace, and interrogate politics and the condition of women in Myanmar. She has taken part in exhibitions (The Substation, Stealing Public Space, 2020) and performance festivals and events in Myanmar, South Korea, Malaysia, Japan, Indonesia, Singapore, Thailand, Germany, Switzerland, Sweden, the UK, and France. She is a member of l\u2019Atelier des artistes en exil and lives in Marseille.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tBorn in 1987 in Yangon, Myanmar, Yadanar Win is a multidisciplinary artist. Interested in international exchanges from an early age, she earned her bachelor\u2019s degree in English, later joining Aye Ko\u2019s New Zero artistic space, Yangon, in 2009. She is an artist, as well as a cultural project coordinator. Detaching herself from traditional practices, she uses her body as a means of experimentation. Her performances promote peace, and interrogate politics and the condition of women in Myanmar. She has taken part in exhibitions (The Substation, Stealing Public Space, 2020) and performance festivals and events in Myanmar, South Korea, Malaysia, Japan, Indonesia, Singapore, Thailand, Germany, Switzerland, Sweden, the UK, and France. She is a member of l\u2019Atelier des artistes en exil and lives in Marseille. \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b7cdad2 e-flex e-con-boxed e-con e-parent\" data-id=\"b7cdad2\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-659250c elementor-widget elementor-widget-spacer\" data-id=\"659250c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-78461e6 e-con-full e-flex e-con e-parent\" data-id=\"78461e6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-649759c elementor-widget__width-inherit elementor-widget elementor-widget-heading\" data-id=\"649759c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">YOUTH CURATORS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ced236a e-con-full e-flex e-con e-parent\" data-id=\"ced236a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-14e1aff elementor-widget__width-inherit elementor-widget elementor-widget-oew-image-gallery\" data-id=\"14e1aff\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"oew-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\n\t\t<div class=\"oew-image-gallery oew-masonry oew-has-lightbox\" data-columns=\"\" data-desktop-columns=\"3\" data-tablet-columns=\"\" data-mobile-columns=\"\">\n\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-2.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-2-1024x1024.png\" alt=\"Cheng Hao is a final-year undergraduate pursuing a double major in English Literature and Art History at Nanyang Technological University. With a penchant for experimental film, he is interested in the intersections between moving images, text, art, and writing, particularly with the limitations of language, and looking at what falls through the gaps in translations. Recently, he has spoken at the 2025 SUNY New Paltz Undergraduate Art History Symposium about the works of Indonesian artist S. Sudjojono and authorial intentionalism.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tCheng Hao is a final-year undergraduate pursuing a double major in English Literature and Art History at Nanyang Technological University. With a penchant for experimental film, he is interested in the intersections between moving images, text, art, and writing, particularly with the limitations of language, and looking at what falls through the gaps in translations. Recently, he has spoken at the 2025 SUNY New Paltz Undergraduate Art History Symposium about the works of Indonesian artist S. Sudjojono and authorial intentionalism. \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-3.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-3-1024x1024.png\" alt=\"Wee San is a final-year undergraduate reading a double major in English Literature and Art History at Nanyang Technological University. An avid writer, his research interests concern the creative nonfiction genre and the study of animist and spiritual motifs across Southeast Asian modern and contemporary art. His creative works have been featured in Atelier of Healing, an online anthology on trauma and healing. If Wee San\u2019s not rushing essays, he is editing video content for Mediacorp&#039;s social channels.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tWee San is a final-year undergraduate reading a double major in English Literature and Art History at Nanyang Technological University. An avid writer, his research interests concern the creative nonfiction genre and the study of animist and spiritual motifs across Southeast Asian modern and contemporary art. His creative works have been featured in Atelier of Healing, an online anthology on trauma and healing. If Wee San\u2019s not rushing essays, he is editing video content for Mediacorp's social channels.   \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/08\/AECF25-Substation-1024x1024.png\" alt=\"Phyllis Chan is a final-year English Literature and Art History student at Nanyang Technological University. Interested in Southeast Asian contemporary art and film, she believes that both can serve as important spaces for memory and resistance. As a writer, she has contributed essays to NTU Film Society\u2019s in-house publication Exposure, where her work with the publication has also been featured in Asian Film Archive\u2019s Asian Cinema Digest.\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tPhyllis Chan is a final-year English Literature and Art History student at Nanyang Technological University. Interested in Southeast Asian contemporary art and film, she believes that both can serve as important spaces for memory and resistance. As a writer, she has contributed essays to NTU Film Society\u2019s in-house publication Exposure, where her work with the publication has also been featured in Asian Film Archive\u2019s Asian Cinema Digest.\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-429903d e-flex e-con-boxed e-con e-parent\" data-id=\"429903d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2cf5ab2 elementor-widget elementor-widget-spacer\" data-id=\"2cf5ab2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d9ecade e-con-full e-flex e-con e-parent\" data-id=\"d9ecade\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9f6a202 elementor-widget__width-inherit elementor-widget elementor-widget-heading\" data-id=\"9f6a202\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">CURATORIAL ADVISOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-572c832 e-con-full e-flex e-con e-parent\" data-id=\"572c832\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3444665 elementor-widget__width-inherit elementor-widget elementor-widget-oew-image-gallery\" data-id=\"3444665\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"oew-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\n\t\t<div class=\"oew-image-gallery oew-masonry oew-has-lightbox\" data-columns=\"\" data-desktop-columns=\"3\" data-tablet-columns=\"\" data-mobile-columns=\"\">\n\t\t\t\n\t\t\t\t<div class=\"oew-gallery-item isotope-entry\">\n\t\t\t\t\t<a class=\"oew-gallery-item-inner no-lightbox\" href=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/09\/AECF25-Substation-Iola.png\" data-width=\"1080\" data-height=\"1080\" data-elementor-open-lightbox=\"no\">\n\t\t\t\t\t\t<div class=\"oew-gallery-thumbnail\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/09\/AECF25-Substation-Iola-1024x1024.png\" alt=\"Iola Lenzi is a Singapore historian and curator of Southeast Asian contemporary art which she connects to Asian social and cultural contexts. She holds an LLB and a PhD in Modern Asian art history, and teaches Southeast Asian Contemporary Art History and curatorial methods at NTU, Singapore. She has solo or lead-curated some 40 exhibitions in Asia and Europe, and authored-edited six multilingual field research publications, as well as Museums of Southeast Asia (2004). Her most recent monograph is Power, Politics and the Street: Contemporary Art in Southeast Asia after 1970 (Lund Humphries, 2024).\">\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-overlay oew-gallery-transition-fade\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"oew-gallery-item-caption\">\n\t\t\t\t\t\t\t\t\t\tIola Lenzi is a Singapore historian and curator of Southeast Asian contemporary art which she connects to Asian social and cultural contexts. She holds an LLB and a PhD in Modern Asian art history, and teaches Southeast Asian Contemporary Art History and curatorial methods at NTU, Singapore. She has solo or lead-curated some 40 exhibitions in Asia and Europe, and authored-edited six multilingual field research publications, as well as Museums of Southeast Asia (2004). Her most recent monograph is Power, Politics and the Street: Contemporary Art in Southeast Asia after 1970 (Lund Humphries, 2024).\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3dfa6db e-flex e-con-boxed e-con e-parent\" data-id=\"3dfa6db\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f8bcc83 elementor-widget elementor-widget-heading\" data-id=\"f8bcc83\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">PARTNERS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d8bfdc8 e-grid e-con-boxed e-con e-parent\" 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elementor-widget-image\" data-id=\"8a12c68\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"768\" height=\"223\" src=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/07\/Substation-Logo-1-768x223.png\" class=\"attachment-medium_large size-medium_large wp-image-12455\" alt=\"\" srcset=\"https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/07\/Substation-Logo-1-768x223.png 768w, https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/07\/Substation-Logo-1-600x174.png 600w, https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/07\/Substation-Logo-1-1024x297.png 1024w, https:\/\/asef.org\/aecfest\/wp-content\/uploads\/2025\/07\/Substation-Logo-1.png 1315w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e903a50 elementor-widget elementor-widget-image\" data-id=\"e903a50\" 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data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c6a686 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"6c6a686\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>4 &#8211; 12 OCTOBER SATURDAY-SUNDAY: 11:00AM \u2013 7:00PM MONDAY-FRIDAY 4:00PM \u2013 8:00PM 136 GOETHE LAB &#8211; GOETHE-INSTITUT SINGAPORE MYANMAR, SINGAPORE, THAILAND, VIET NAM | MULTIDISCIPLINARY 2025 EDITION In our era of global displacement, this exhibition \u2013 co-presented by The Substation and Asia-Europe Foundation (ASEF) \u2013 brings together seven distinctive voices from Southeast Asia to explore [&hellip;]<\/p>\n","protected":false},"author":259224155,"featured_media":13393,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","omw_enable_modal_window":"enable","ofc_enable_fullscreen":"disable","ofc_fullscreen_speed":0,"ofc_fullscreen_nav":"enable","ofc_fullscreen_nav_pos":"right","ofc_fullscreen_nav_color":"","ofc_fullscreen_nav_tooltip_color":"","ofc_fullscreen_responsive":0,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1447,1364,1367],"tags":[1520],"class_list":["post-13391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sector-multidisciplinary","category-sector-performance","category-sector-exhibition","tag-4-12-oct-2025-singapore","entry","has-media"],"yoast_head":"<!-- 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