{"id":8437,"date":"2024-06-08T15:26:55","date_gmt":"2024-06-08T07:26:55","guid":{"rendered":"https:\/\/asef.org\/aecfest\/?p=8437"},"modified":"2026-01-06T15:49:13","modified_gmt":"2026-01-06T07:49:13","slug":"cradling-what-disappears","status":"publish","type":"post","link":"https:\/\/asef.org\/aecfest\/cradling-what-disappears\/","title":{"rendered":"CRADLING WHAT DISAPPEARS"},"content":{"rendered":"\t\t
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\n\n \n JANUARY - SEPTEMBER 2024
ONLINE, ITALY, SINGAPORE<\/span>\n\n <\/div>\n\t <\/a>\n <\/div>\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\n \n GERMANY, ITALY, SINGAPORE |
RESIDENCY | CONTEMPORARY DANCE<\/span>\n\n <\/div>\n\t <\/a>\n <\/div>\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2024
\nEDITION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AECFest Supported Residency: ashleyho+domeniknaue for Last Portrait<\/em><\/strong><\/h3>

In a world increasingly marked by uncertainty, loss and impermanence have become not just personal experiences, but collective conditions of living. For Singaporean artist Ashley Ho and German choreographer Domenik Naue<\/strong>, these themes became the starting point of a long-term artistic research.\u00a0\u00a0<\/span>\u00a0<\/span><\/p>

Through AECFest Residency programme, Ashley and Domenik were able to embark on a multi-country journey of exploration and creation, bringing together text, sound, dance, and visual poetry into a performance-installation reflecting on grief, distance, and transformation<\/strong>. Their collaboration asked simple but profound questions: How do we live with loss, without being paralysed by it? How do we cradle what disappears, without nostalgia or fear?<\/span>\u00a0<\/span><\/p>

Crucially, this project was not the work of only two artists, but the result of a larger ecosystem of care and collaboration. The residency was made possible thanks to the coming together of many organisations across Europe and Asia, all committed to supporting the artists\u2019 process<\/strong>. Alongside ASEF\u2019s facilitation of the AECFest residency, key partners included Over het IJ and Dansateliers in the Netherlands, Studio Plesungan in Indonesia, Oriente Occidente in Italy, and Dance Nucleus in Singapore \u2014 each providing time, space, and resources for different stages of the creation.<\/span>\u00a0<\/span><\/p>

A key part of Ashley and Domenik\u2019s process was the meeting with Pietro Marullo, an Italian director and theatre-maker<\/strong>, who accompanied their journey as an artistic coach. Working together over several months, both online and on-site, their exchanges shaped the dramaturgical direction of the piece and pushed the collaboration into new territories.<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\"Exploring\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tExploring rice fields as part of Ashley and Domenik's residency in Yogyakarta, Indonesia \u00a9 ashleyho+domeniknaue\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tPhotographing soil and stones, which inspired the duo's creative production \u00a9 ashleyho+domeniknaue\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The residency framework supported by ASEF enabled Ashley and Domenik to spend two intensive weeks in Indonesia at Studio Plesungan,<\/a><\/strong> engaging with the local context while deepening their studio practice. Later, with the support of Oriente Occidente in Italy, they were able to gather for a week in Rovereto, presenting an intermediate stage of their performance <\/span>Last Portrait<\/i><\/a><\/strong><\/span> as part of the AECFest programme in Europ<\/strong>e. This phase offered them the opportunity to test their ideas with audiences, receive feedback, and refine their work further.<\/span>\u00a0<\/span><\/p>

The final phase of their residency brought them to Singapore, with Dance Nucleus as a key partner. Here, the artists presented the final iteration of their performance-installation <\/a><\/strong><\/span>Last Portrait<\/i><\/strong><\/span><\/a> \u2014 a poetic, intimate reflection on the brutality and beauty of loss, and the possibilities of transformation that lie within it.<\/span>\u00a0<\/span><\/p>

More than just an outcome-based residency, this project stood as a testament to what can happen when different organisations come together across borders to offer artists not only resources, but trust and time. It fostered a rare kind of intercultural dialogue \u2014 one that does not rush to answers but stays with the complexity of experience.<\/span><\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\tAshleyho+domeniknaue is a collaborative duo creating transmedial performances that blend dance, poetry, music, and scenography. Their work, rooted in personal experiences, aims to foster collective imagination and transform harsh realities through vulnerability and playfulness. Nurtured by friendship and institutional support, their performances have been presented at various festivals, and they currently work across the Netherlands, Belgium, and Singapore after graduating from ArtEZ in 2022.\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\tItalian artist Pietro Marullo, based in Brussels, creates interdisciplinary works at the intersection of visual and performing arts, often incorporating new technologies to explore social, historical, and anthropological themes, particularly the dynamics of human communities and violence. His installations and performances, analysing human community, internal violence, and cosmogonic forces, have been presented across four continents in prominent festivals and platforms.\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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PARTNERS<\/h2>\t\t\t\t<\/div>\n\t\t
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Thanks to:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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With the support of:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Venue partner:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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With the support of:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Thanks to:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

JANUARY – SEPTEMBER 2024 ONLINE, ITALY, SINGAPORE GERMANY, ITALY, SINGAPORE | RESIDENCY | CONTEMPORARY DANCE 2024 EDITION AECFest Supported Residency: ashleyho+domeniknaue for Last Portrait In a world increasingly marked by uncertainty, loss and impermanence have become not just personal experiences, but collective conditions of living. For Singaporean artist Ashley Ho and German choreographer Domenik Naue, […]<\/p>\n","protected":false},"author":259224155,"featured_media":8598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","omw_enable_modal_window":"enable","ofc_enable_fullscreen":"disable","ofc_fullscreen_speed":0,"ofc_fullscreen_nav":"enable","ofc_fullscreen_nav_pos":"right","ofc_fullscreen_nav_color":"","ofc_fullscreen_nav_tooltip_color":"","ofc_fullscreen_responsive":0,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1378,1361],"tags":[1495],"class_list":["post-8437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sector-dance","category-programme-residencies","tag-jan-sep-2024-indonesia-italy-netherlands-singapore","entry","has-media"],"yoast_head":"\nCRADLING WHAT DISAPPEARS - Asia-Europe Cultural Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asef.org\/aecfest\/cradling-what-disappears\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CRADLING WHAT DISAPPEARS - Asia-Europe Cultural Festival\" \/>\n<meta property=\"og:description\" content=\"JANUARY – SEPTEMBER 2024 ONLINE, ITALY, SINGAPORE GERMANY, ITALY, SINGAPORE | RESIDENCY | CONTEMPORARY DANCE 2024 EDITION AECFest Supported Residency: ashleyho+domeniknaue for Last Portrait In a world increasingly marked by uncertainty, loss and impermanence have become not just personal experiences, but collective conditions of living. 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